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PreSonus Studio 192

 90,500.00  80,900.00

  • High-quality, low-latency 26-in/32-out USB 3.0 audio interface and control center
  • 8 remote-controllable, Class A XMAX microphone preamps let you record whole bands
  • DSP-powered Fat Channel on all inputs includes 3-band EQ and dynamics processing
  • Monitor selection, talkback mic, Dim, and Mute functions offer center-section-style control
  • 2 high-volume headphone outputs with independent source selection make collaboration easy
  • USB 3.0 connectivity provides extremely low latency even at 24-bit/192kHz resolution
  • Integrates beautifully with PreSonus Studio One (Studio One Artist included)

Description

Featuring many of the advantages that have made the StudioLive series one of the most popular mixer lineups at Sweetwater, the PreSonus Studio 192 audio interface offers you the performance and flexibility you need. This 26-in/32-out USB 3.0 audio interface comes loaded with an extensive central control section, which includes monitor management that utilizes the DSP-driven monitor mixing. The Studio 192’s onboard DSP extends well beyond zero-latency monitoring, providing PreSonus’s Fat Channel EQ and dynamics on every input channel. All told, you get incredible bang for your buck with the PreSonus Studio 192 USB 3.0 audio interface.

Built to create.
The PreSonus Studio 192 is the first USB 3.0 audio interface to deliver exceptional sonic fidelity and flexible connectivity, as well as professional monitoring and mixing controls, in a single rack-space. Whether you’re a producer or an audio engineer, an independent band or a sound designer, the Studio 192 was built for you to create.

Your studio command center.
The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.

XMAX preamps, now with remote control.

  • Transparent sound that won’t color the tone of your instrument
  • Control preamps from within the Studio One mixer
  • Control preamp settings via MIDI in Pro Tools, Logic, or Live and save settings with your recordings
  • The ease of digital recall with the quality of Class A analog circuitry

The Studio 192 includes eight remote-controlled XMAX™ preamps, each providing high headroom, low noise, wide dynamic range, and extended frequency response. The resulting musicality and transparency provides smooth, solid sonic reproduction.

The Studio One in Studio 192.
Your audio interface is now an integrated extension of your recording environment. Launch Studio One and you will find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our exclusive hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer, so you can record and monitor with zero-latency using Studio 192-based Fat Channel EQ and dynamics processing and seamlessly switch to the native Studio One Fat Channel plug-in for playback with no audible change

Zero-latency monitor mixing and control.
Because we can’t create the same integrated Studio One experience in every recording application, the Studio 192’s onboard features can also be controlled in UC Surface’s battle-tested interface. UC Surface has rapidly won accolades for its intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes and get back to recording.

Great signal processors are a PreSonus tradition.
Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To this end, the Studio 192 includes the Studio One Fat Channel plug-in for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.

A smooth trip from analog to digital.
The Studio 192 is equipped with audiophile-grade, Burr-Brown processors to deliver top-quality digital conversion up to 192 kHz. These converters provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally. You’ll hear every breath, transient, and detail in your recordings.

Expandable when you need more I/O.
The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on your Studio 192. Available in early Fall 2015, the DP88 features eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. The DigiMax DP88 mic preamps are fully remote-controllable from UC Surface when connected via ADAT Lightpipe to your Studio 192 so that they naturally extend your analog inputs both sonically and functionally.

Only the Studio 192 gives you such a powerful combination of audio interface and studio command center in one rack space, with pristine audio up to 192 kHz, zero-latency effects, eight remote-controllable preamps, monitor mixing, speaker switching, headphone amps, and tight DAW integration.

Features:
Integrated Zero-Latency Monitoring

  • Zero latency monitoring with award-winning StudioLive™ Fat Channel processing on every analog input and the first ADAT inputs.
  • Total integration with Studio One® for multitrack music production, zero-latency monitor mixing with effects, and studio command features. Studio One Artist included.
  • Wireless control over preamp levels, monitor mixing, and speaker switching from UC Surface for iPad and Windows Surface or Studio One Remote for iPad.

 

Your Studio Command Center

  • Ultra low latency, 24-bit, 192 kHz USB 3.0 audio interface (backwards compatible with USB 2.0)
  • Simultaneous I/O up to 26 inputs / 32 outputs (8 x 14 at 192 kHz)
  • Flawless analog signal path with top-quality 118 dB digital conversion
  • Individual stereo main balanced outputs with mono, dim, mute, output metering and
  • level control accessible from front-panel and UC Surface
    Onboard talkback mic
  • Two high-volume headphone outs with dedicated DACs for optimal headphone monitoring

 

Flexible Connectivity

  • 8 XMAX™ remote controllable mic preamps with individual 48V Phantom Power switching and 85 dB gain range.
  • 2 instrument inputs, available via dual-purpose front-panel combo jacks
  • 6 balanced line level direct to ADC inputs, available via dual-purpose rear-panel combo jacks
  • 8 balanced TRS ¼” outputs for monitor mixing and speaker switching
  • ADAT / Dual SMUX Optical inputs/outputs: 16×16 channels at 44.1 or 48 kHz; 8×8 channel at 88.2 or 96 kHz
  • Stereo S/PDIF coaxial input and Output
  • BNC Wordclock input and output with low-jitter clocking

 

Digitalia

  • Compatible with most music software for Mac or PC.
  • USB 2.0 compatible

 

Physical

  • Road-rugged construction with all-metal chassis and metal knobs
  • 1U rack-mountable
  • 18 VDC external power supply (included)

 

Bundled Software

  • Studio One® Artist license included, PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 2 GB content
  • UC Surface for Windows and Mac PCs, Windows 8 touch computers and iPad

 

Specifications:
Mi​crophone Preamp

  • Type XLR Female (via Combo), Balanced Remote
  • Maximum Input level (min. gain, 1 kHz@0.5% THD+N) +12 dBu, +/-0.5 dB
  • Gain Control Range 60 dB, +/-1 dB
  • Frequency Response (A-D) 10 Hz to 40 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd) > 110 dB
  • Dynamic Range (mid. Gain, unwtd) > 105 dB
  • THD+N (min. gain, a-wtd) < 0.005%
  • Input Impedance 1600 Ω
  • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) < 128 dBu
  • Common Mode Rejection Ratio (1 kHz, +55dB gain) > 55 dB
  • Phantom Power +48 V, +/- 3 V, > 8mA per channel

 

Instrument Inputs

  • Type ¼” TS Female (via Combo), Unbalanced
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +16 dBu +/-0.5 dB
  • Gain Control Range 60 dB, +/-1 dB
  • Frequency Response (A-D) 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd) > 110 dB dB
  • Dynamic Range (mid. Gain, unwtd) > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd) < 0.005%
  • THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
  • Input Impedance > 1 MΩ
  • Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

Line Inputs

  • Type ¼” TRS Female (via Combo), Balanced
  • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, +/-0.5 dB
  • Frequency Response (A-D) 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (min. gain, a-wtd) > 114 dB
  • Dynamic Range (mid. gain, unwtd) > 105 dB
  • THD+N (1 kHz, -1 dBFS, a-wtd) < 0.005%
  • Input Impedance 10 kΩ
  • Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

Main and Line Outputs

  • Type (Line Outputs) ¼” TRS Female, Impedance Balanced
  • Type (Main Outputs) XLR Male, Impedance Balanced
  • Maximum Output Level +18 dBu, +/-0.5 dB
  • Frequency Response 20 Hz to 20 kHz, +/-0.2 dB
  • Dynamic Range (a-wtd) > 112 dB
  • THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
  • Output Impedance 51 Ω
  • Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

Headphone Outputs

  • Type ¼” TRS Female, Stereo, Unbalanced
  • Maximum Output Level 150 mW/channel @ 60 Ω
  • Frequency Response 20 Hz to 20 kHz, +/-0.3 dB
  • Dynamic Range (a-wtd) > 103 dB THD+N (1 kHz, -1 dBFS, un-wtd) < 0.005%
  • Crosstalk (1 kHz, channel-to-channel) < -80 dB

 

Internal Talkback Microphone

  • Type Electret Condenser
  • Sensitivity -42 dB

 

Signal Level LEDs

  • Signal 1 -50 dBFS
  • Signal 2 -30 dBFS
  • Signal 3 -20 dBFS
  • Signal 4 -10 dBFS
  • Signal 5 -6 dBFS
  • Signal 6 -4 dBFS
  • Signal 7 -2 dBFS
  • Clip -0.5 dBFS

 

Digital Audio

  • Host Interface USB 3.0 (backwards compatible to USB 2.0)
  • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
  • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
  • Bit Depth 24 bits
  • Internally Supported Sample Rates 44.1, 48, 88.2, 96, 176.4, 192 kHz
  • ADAT Optical I/O ADAT/SMUX II formats supported [16×16 (44.1/48 kHz), 8×8 (88.2/96 kHz)]
  • S/PDIF I/O RCA female connections, supported up to 96 kHz
  • Word Clock I/O BNC connector, 4.5 Vpp @75Ω load

 

Clock

  • Jitter <50 ps RMS (20 Hz – 20 kHz)
  • Jitter Attenuation >60 dB (1 ns in => 1 ps out)

 

Power

  • External Power Adapter +12 VDC, 3.0A, center positive
  • Connector Type Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length

 

Physical

  • Dimensions 1U rackmount
  • Height 1.75” (44.45 mm)
  • Depth 5.5” (139.7 mm)
  • Width 19” (482.6 mm)
  • Weight 4.9 lb. (2.22 kg)

 

Computer system requirements:
Below are the minimum computer-system requirements for the Studio 192:

 

Mac®

  • Operating System: OS X 10.8 or later Hardware
  • Minimum: Intel® Core™ 2 processor, 4 GB RAM
  • Recommended Hardware: Intel® Core™ i3 processor or better, 8 GB or more RAM

 

Windows® PC

  • Windows 7x 64/x86 SP1 or Windows 8/8.1 x64, Windows 10 x64
  • Intel® Core™ 2 processor (Intel® Core™ i3 processor or better recommended)
  • 4 GB RAM (8 GB or more recommended)

Windows and Mac

  • USB 2.0 port (USB 3.0 recommended)
  • Internet connection
  • Monitor resolution of 1280 x 800 px or higher
  • 20 GB hard-disk space
  • Internal or external 7200 RPM storage drive highly recommended

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